Monday, January 29, 2007

Review: Taking a Break From All Your Worries



Review: Taking a Break From All Your Worries
Written by Michael Taylor

It's the episode most of the first half of season 2 has been working towards. After a brief stay with the Cylons, ex-President Gaius Baltar has finally made his way back to humanity and the Battlestar Galactica. Man...is he in for a world of hurt.

In episode 3.13, Taking a Break From All Your Worries (whew..what a mouthful), Gaius Baltar (James Callis) finds himself being interrogated by a rather pissed off Laura Roslin (Mary McDonnell). Although he doesn't have much to tell regarding the Cylon's plans, Mr. Baltar is finally forced to confront his guilt regarding his participation in the genocide of mankind. Meanwhile, the love-square between Anders, Starbuck, Dee, and Lee gets even more frakked up after Apollo starts frequenting Galactica's new bar and gets advice from Tyrol.

Directed by veteran actor and the show's main star power, Edward James Olmos, Taking a Break From All Your Worries (or TaBFAYW, for short) delivers easily one of the most gripping episodes of the series. With James Callis and Mary McDonnell giving their best performances yet, it is certainly a candidate for being one of BSG's standout episodes.

It's just too bad there was a fatal flaw holding it back from true greatness. That flaw is the twisted love affair between Apollo and Starbuck. Maybe it's just me, but it seems this plot line--which was never all that interesting to begin with--has been beaten to death. It feels like every episode since the infamous boxing episode has had the two come back together, only to have them break apart again in the closing minutes. How many times do we need to see Lee stare longingly at Starbuck as he holds Dee? Answer: once was enough.

Usually I can tolerate this plot as it works in the background, but with TaBFAYW I reached my breaking point. I'm not sure what Olmos was thinking (as the rest of this excellent episode was directed in top-notch form), but it bothered me to no end when, just as Gaius' mental torture scene was reaching its climax, they'd switch scenes to drunk Lee stumbling around the Galactica's corridors. Frakking A.

I was trying my best to stay in the moment of the distraught Gaius spilling his guts to the exceptionally intimidating Admiral Adama, but the interruptions were just too much for me. Which is a real shame, too, because as I said above, TaBFAYW featured what is probably James Callis' best performance yet. As far as I'm concerned, he is now the main character of this show. I've always had a preference for the Gaius Baltar plotline since the mini-series, but by now Callis has definitely taken his place as the central character of BSG.

One of the best Gaius-centric episodes as well as best of the series material, TaBFAYW is brought down only by an uninteresting side plot that interrupts the good stuff far too often. Hopefully Edward Olmos will get the chance to direct again in the coming seasons--after the whole love affair thing gets resolved, of course.

Rating: 9 / 10 "Free Gaius Baltar!"

The Sci-Fi Showdown will return again in 2 weeks.

Wednesday, January 24, 2007

The K-Files - 01.24.07


01.2407

Welcome to the latest installment of The K-Files.

For a relative newcomer to Coast to Coast AM like myself, I can only imagine all the golden interviews and open lines segments I've missed over the past couple decades. I've done what I can to dig up classic clips of Art Bell interviews, yet I can't shake the feeling that there's something out there that I'm missing out on.

Case in point, the infamous Area 51 caller from 1997. Although I had heard of this mysterious event in Coast to Coast history, I never actually listened to it until recently. For newbie Art Bell fans like myself, read on to get the down-low on this classic moment in radio history.

You'd better get ready, 'cause here come The K-Files...Full Article.

Monday, January 22, 2007

Review: Rapture



Review: Rapture
Written by David Weddle and Bradley Thompson

It seems like forever since the last episode of Battlestar Galactica. Amazing how a couple months without your favorite show can seem to drag on. But anywho, the wait is now over. No more fooling around, because now it's time to get down to 10 straight weeks of non-stop, Sunday-night Battlestar action.

In episode 3.12, Rapture, the story picks up right where The Eye of Jupiter left off. With a squadron of Cylon raiders approaching the Algae planet, Adama (Edward Olmos) has his finger on the nuclear missile launch button--prepared to deny the Cylons the Temple of Five. Meanwhile, Anders and Lee fight side by side as their wives, Dee and Starbuck, fight to survive.

In a lot of ways, this was a pivotal episode to the entire Battlestar series. More show-changing events went down in 42 minutes of this episode than in other show's entire seasons. I'd say the most drastic--and for me saddening--change was the elimination of Lucy Lawless' character. What a shame that is, too...as I was just starting to really dig Xena's increased role in the show. Though I'm still holding out hope that a few D'annas make it to the Galactica.

Then, of course, let us not forget the big changes ahead in Gaius Baltar's life. That poor guy. First he has to live with humanity and face the guilt of brining about a nuclear holocaust, then he gets elected president only to have to face Cylon occupation, then he is forced into escaping with the Cylons and live amongst them in mental isolation...now he's thrust back into an unwelcoming humanity that will most certainly inflict on him bodily injury. All this, mere seconds after he was denied knowledge that he may in fact be a Cylon. Suffice it to say, Gaius is going to be in bad shape next episode. I wouldn't be surprised if Head Six made her way back into his life.

Finally, this episode also dragged on the love triangle (square?) between Anders/Starbuck and Lee/Dee. This made for interesting television the first 4 episodes focused on it, but for me its starting to get a bit old. Seems like things are about to hit their climax, though, so thank the Gods for that. Maybe the Galactica's best pilots can get their minds off each other and start flying their Vipers again...Maybe bring back the good ol' days of season 1 and 2 when this was a space dog-fighting show.

All in all, this was the perfect episode to draw viewers back into the intensity of the Battlestar universe. With the revelation of the Eye of Jupiter and a brief glimpse at the final 5 Cylons, it seems with this episode that Battlestar is really starting to pick up momentum to the season 3 finale.

Rating: 8 / 10 "Poor President Baltar..."

~Khyron

Wednesday, January 17, 2007

The K-Files - 01.17.07


Review: Terrorstorm (DVD)
Written and Directed by Alex Jones

The Movie

As someone who follows Alex Jones' work and tries to keep current on the latest conspiracy theories, I wanted to do something a bit different when I watched Terrorstorm. Having heard pretty much all of Jones' main talking points regarding government-sponsored terrorism and 9/11 conspiracy in the past, my goal was to watch Terrorstorm with as clean of a slate as I could manage. I wanted to experience this documentary as a true novice in the field and judge just how potent it would be to viewers uninitiated in the ways of the Jones.

For the purpose of this review, I will be breaking down the documentary into its 5 chapters.

A History of Terror~

To start his film, Alex Jones takes us through a miniature history lesson of government sponsored terrorism through the ages. Starting with Adolph Hitler and moving forward in time through the Tonkin Gulf Crisis and CIA-sponsored coup in Iran, Jones lays down a pretty convincing array of factual events. Although the exact circumstances of several of the examples he used are still in contention, it does form a solid foundation of precedence for the theories he later presents.

Though the way Jones provides the information in this segment is a bit of a double-edged sword. On the one hand, he backs up just about everything he claims with either official, declassified documents or 1st hand, expert testimony. However, as is usually the case in Jones' work, he has a way of completely burying you in facts. The first 15 minutes of Terrorstorm feels like an avalanche of dates, names, and events--making it somewhat hard to follow for those with short attention spans. I felt the need to stop and rewind at several points in the first chapter, just to make sure I was understanding the points he was trying to make.

London Bombings~

This is by far the film's strongest aspect. In this chapter, Jones travels to London in the aftermath of the 7/7 subway and bus bombings to investigate the many oddities in the official government explanation. It is in this segment of the film that Jones is at his best--doing it all from getting into trouble with the local police to interviewing people on the street while mixing in his own special blend of corny humor and movie references. Also, this segment features Jones with his signature bullhorn, bringing the Infowars message to the people of London. If nothing else, these scenes are entertaining just for the shock value of the things Jones says and the reactions he gets from Londoners.

Though what I liked best about this part was its noticeably slower pace. Instead of just getting hit by a torrent of facts, the film slows it down and lets it all sink in. For instance, on scene involved discussing the likelihood that there was a government training exercise on the exact day of the 7/7 bombings involving the same targets getting hit with the exact same explosives. He goes on to say that with some kind of sophistimicated mathematical calculation, the odds of that happening was greater than some number with 41 zeros after it--or twice as many grains of sand on the entire planet. It all made for a very powerful point.

It was also a bit comical that, after bullhorning Parliament, Jones was added to a terrorist watch list in England. It wasn't so much comical that protesting would label you a potential terrorist, but it was funny how nonchalant Jones was about being added to such a database.

American Empire + Crawford, TX~

I've decided to lump these 2 chapters together--mainly because I disliked the equally. Up until this point, Terrorstorm was (almost refreshingly) bipartisan in its theorizing. The Alex Jones fan in me kept trying to remind myself that he is usually an equal opportunity offender--taking shots at both sides of the political spectrum on shows such as Coast to Coast AM. However, the George Bush and redneck bashing in these chapters (although usually pretty funny) could be a definite turn off for some viewers.

For me, my biggest gripe was that they really didn't add much to the film. Most of it just seemed like a lot of same old 'Iraq was for oil' and 'Bush is a phony' kind of talk. I guess the scene's only redeeming quality is that it showed in a few interviews just how uninformed and trusting certain Americans can be.

September 11th~

To finish things off, Jones closes with the best 9/11 theories and the recent Charlie Sheen controversy. If you've already seen the Showbiz Tonight and Jimmy Kimmel Live interviews with Sheen and Jones, there's really nothing new for you to see in Terrorstorm. But for those that missed the clips in real time or haven't bothered to watch them on the internet, there's definitely some quality material in this chapter. My favorite scene being Jones' interview on Showbiz Tonight when, after being asked the simple question if Charlie Sheen approached him or vice versa, Jones goes on a longwinded, mile-a-minute rant about government sponsored terror--even getting in a few plugs to his websites in the process. Classic Jones.

The other topic of interest in this chapter is the collapse of building 7 of the World Trade Center. I'd say that this is still one of the strongest and as of yet unexplained mysteries of that day. The video footage of its collapse really brings up some interesting questions.


The DVD

Although this is Alex Jones' most expensive and high-quality documentary to date, it still has this independent look and feel to it. The professional DVD menu and computer effects throughout the film are a nice touch, overall sound and video quality is still lacking. Black levels are often pixilated beyond reason and text can be hard to read due to aliasing. Likewise, save for Jones' narration, sound quality is unreliable at best. At some points it can sound muffled, while at others it suffers from full-blown interference and static. It doesn't necessarily detract from the movie as a whole, but it is something to be aware of if you're planning on purchasing this DVD.

DVD extras include trailers of Jones' other work and a recording of 9/11 & the Neo-Con Agenda Symposium on Los Angeles. The later clocks in at about an hour and includes speakers such as Charlie Sheen, Bob Bowman, and Jones himself.


Final Thoughts

Although not without its flaws, Terrorstorm is without question Alex Jones' most ambitious and successful documentary to date. With a runtime of around 113 minutes, it's literally packed with solid information. Music by Graham Reynolds (who also composed for last summer's A Scanner Darkly) is also a nice treat.

For fans of Jones and newcomers alike, Terrorstorm is an excellent compilation of the most current and pressing theories on the dark side of the international politics of today.

---

Rating: 4 / 5


Monday, January 15, 2007

Review: Children of Men


Children of Men - Directed by Alfonso Cuaron
Rated R for strong violence, language, some drug use and brief nudity.

Ah yes, the first movie of a new year. So important it is, setting the tone and standard for this year's releases. I was unfortunate last year, having seen Kurt Wimmer's stinker of a sci-fi, Ultraviolet, at the start of 2006. Yet this year, with Children of Men, I'm afraid a near impossible standard has already been set.

In Children of Men, director Alfonso Cuarón takes us to his vision of a near future 2027 England. Plagued by war, disease, disaster and the inexplicable inability to make babies, the ever-aging population has grown hopeless. However, after a young immigrant girl is discovered pregnant, its up to Theo (Clive Owen) and a group of freedom fighters to insure mankind's last great hope survives.

Right off the bat, you'll discover Children of Men isn't like any other sci-fi you've seen. Hyper-realistic, the film's futuristic setting is never overbearing--rather, it is presented in combination with rustic and rundown locales giving it a sense of believability rarely seen in science fiction. As with Blade Runner, the future of Children of Men is a struggle between advancements in technology and the degradation of the human soul. It's a bleak, filthy and altogether depressing existence.

This gritty setting is at its strongest in CoM's awe-inspiring climax. In what appears to be a seamless 10 minute cut, you are taken through the streets of a war-torn ghetto during a fierce firefight of tanks, RPG's, blood, bullets, bodies, and more. Buildings exploding around the protagonists, blood splattering on the camera lens...it's a close up and personal look at the extreme violence of war shown in the most unglamorous light since Black Hawk Down. It's one of those scenes that will go down in history as true accomplishment in film making.

Imaginative, gripping, and politically and socially charged, Children of Men is a science fiction masterpiece for the new millennium. With superb performances by Clive Owen, et al and an ending sequence worth the price of admission alone, this gem has Oscar written all over it.

Rating: 5 / 5

Wednesday, January 10, 2007

The K-Files - 01.10.07


01.10.07

Welcome to the latest installment of The K-Files.

Ah yes, 2006...It was certainly an eventful year for my little weekly K-Files. In my usual year end nostalgia trip, I have gone over my archives to see just how much this column has changed. To finish off the New Years recap I started last week with my Coastie Awards picks, I thought it'd be fun to go through the big stories, hot topics, and unexpected surprises that kept me writing through 2006. Sounds interesting? Read on.

You'd better get ready, 'cause here come The K-Files...Full Article.

Tuesday, January 09, 2007

A New Era

“If there is any period one would desire to be born in, is it not the age of Revolution; when the old and the new stand side by side...when the glories of the old can be compensated by the rich possibilities of the new era? This time...is a very good one..” - Ralph Waldo Emerson

The future is in June...

Thursday, January 04, 2007

Top 10 of 2006: Movies


Welcome to part 1 of the KHYRON.NET Top 10 of 2006 awards. To get things rolling, I shall begin by listing my top 10 favorite movies of 2006. You will notice that the vast majority of them fall under the sci-fi/action/horror genres. This is because I rarely see comedy (romantic or otherwise) or computer animated films in the theater. Also, 2006 was a pretty good year for science fiction and horror.

There were of course more comic book and video game adaptations this past year. One of my favorite Philip K. Dick novels also saw itself translated to the big screen. But most surprisingly, only 3 of my top 10 movies of 2006 were sequels. And, more importantly, only 1 was a remake. In a market flooded with un-originality, it was a nice surprise to have seen a few fresh IP's.

But, without further adieu, here is Khyron's Top 10 Movies of 2006. They are ordered between 1 and 10; 1 being the best...

1 - A Scanner Darkly (Directed by Richard Linklater)
In fact, the movie unfolds much like an addict's life. In the opening scenes, everything is all fun and carefree. Characters joke around, go on crazy misadventures, and more or less act like children. However, as the plot progresses, the light-hearted atmosphere deteriorates into a hazy world of fear, paranoia, and frustration. Finally, the dramatic climax shows us first hand the mental and physical breakdown of our protagonist. Showing the horrors of addiction every bit as successfully as the book, A Scanner Darkly is a faithful adaptation that stays true to author Philip K. Dick's intended message
2 - V for Vendetta (Directed by James McTeigue)
  • Rating: Unreviewed
Written by the duo that brought us The Matrix trilogy, V for Vendetta may not be the most faithful of graphic novel adaptation...but it is certainly one of the more entertaining. Combining intense action with an anti-big brother message, its politics were as charged as its slow motion action sequences. And with great performances by stars Natalie Portman and Hugo Weaving, V for Vendetta is a winner.

3 - Rocky Balboa (Directed by Sylvester Stallone)
  • Rating: Unreviewed
If anyone can make a comeback after 16 years of absence, it's Rocky. Surprisingly touching, this latest installment to the ultimate underdog story takes the series to its roots. Its uplifting message of perseverance puts this "final" chapter on par with the Oscar winning original in my book.

4 - Saw III (Directed by Darren Lynn Bousman)
Fast, brutal and questionably entertaining, Saw III delivers what it promised and then some. This movie, no matter how popular the franchise is getting, continues to stick to the roots of its niche genre, and for that I award it. With an ending that should feel satisfying to fans of the previous two films, Saw III breaks all expectations and continues to make this franchise the epitome of the hardcore Halloween movie-going experience.

5 - The Prestige (Directed by Christopher Nolan)
From the director of Batman Begins and the cult-favorite Memento comes this intriguing tale of two rivaling magicians. Borrowing its title from the third act of any good magic trick, The Prestige is a twisted amalgamation of late 19th century society and science fiction that, despite being all over the place in terms of genre, manages to be more successful than it probably should be.

6 - The Fountain (Directed by Darren Aronofsky)
  • Rating: Unreviewed
Arguably the most artsy film I've seen all year, The Fountain is as much a treat for the eyes as it is for the mind. Though not quite the brain-screwer I had hoped it would be, it is a touching love story, nonetheless. It also features what is probably my favorite Hugh Jackman performance.
7 - Casino Royale (Directed by Martin Campbell)
  • Rating: Unreviewed
I will admit that I wasn't terribly thrilled to see this movie. For one, I'm not the biggest James Bond fan. And secondly, I still wish the new Bond was Clive Owen instead of Daniel Craig. That said, I found myself enjoying this one more than expected. The action, although still intense, was toned down from the over-the-top stunts in other recent Bond titles. Likewise, the story itself was just generally more dark and gritty.

8 - Inside Man (Directed by Spike Lee)
  • Rating: Unreviewed
I'm not usually one to rush out and see a bank heist movie, but with Clive Owen playing the bad guy, I couldn't resist. More than about just a simple bank robbery, Inside Man is an interesting combination of action, comedy, suspense, drama, and morales.

9 - The Descent (Directed by Neil Marshall)
  • Rating: Unreviewed
Although technically released across the pond in 2005, this British-born horror/thriller made its way over this past summer. Dubbed 'chicks in a cave', its seemingly simple plot about a group of cave-diving friends soon turns into a bloody, claustrophobic monster movie. Although flawed, it is up there with the Saw and Hostel franchises as the cream of the crop of horror originality.

10 - Fearless (Directed by Ronny Yu)
If this is to be Jet Li's final martial arts movie, I do believe he has gone out on a high note. With mind-blowing, original fight sequences and a touching, emotional plot, Jet Li's Fearless is likely to be as good a martial arts film as you'll find this decade. For martial arts fans and otherwise, I highly recommend Jet Li's Fearless...

So there you have it, my top 10 picks for 2006. To finish things off, I now present to you the runners up as well as my prize for the worst movie of 2006.

Didn't quite make the list:
  • Silent Hill (Review)
  • Superman Returns (Review)
  • Lady in the Water (Review)
  • The Texas Chainsaw Massacre: The Beginning (Review)
  • X-Men: The Last Stand (Review)
And finally...

The Worst Movie of 2006:

Ultraviolet (Directed by Kurt Wimmer)
Ultraviolet is a prime example of too many ideas and not enough self-control (or funding) to translate them to the screen. If you find enjoyment in mindless (and very repetitive) action and can stand some of the worst, prepubescent dialogue imaginable, then by all means try and find a theater still playing Ultraviolet. If, however, you're looking for a smart follow-up to Equilibrium, expect disappointment.

Stay tuned next week when my Top 10 lists continue with my picks in video games and television. Thanks for reading.

~Khyron, 2007

Wednesday, January 03, 2007

The K-Files - 01.03.07


01.03.07

Welcome to the very first installment of The K-Files for the year 2007.

It has been a while since last I checked in with a new K-Files, but with a new year comes a bevy of new material for you to sink your teeth into. To start things off, over the next couple of weeks, I will be recapping the many events of 2006.

First up, I will be going over my picks for the Binnall of America Coastie Awards. After a lot of thought and soul searching, I finally decided on the Coast to Coast AM guests, episodes, and events that I felt stood out this past year. Interested in learning what I picked? Read on, friends.

You'd better get ready, 'cause here come The K-Files...Full Article.